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What he develops and analyzes in his works is the aesthetic perception of the interspace in art, that field of uncertainty and constant search. As an inspiring element, the information, i.e., the daily Internet photo library of stormy, heated, and often paranoid photographic reports and events in the current period in which we live, and on the other hand, placing an emphasis on works from the history of art, on the search for the beautiful, realizing the tension between the real and the impossible, the beautiful and the destructive, and between control and chaos.

 

In his works, he combines abstraction and the representative, on the one hand, figurative depictions, and on the other hand, geometrically abstracted colored surfaces, linearly connected, rejected, and/or overlapped with other colored or monochromatic linear overlays, where intuitive photographic impressions are transformed into a new illusory reality, new and uncertain. His interest is particularly focused on the features of the media, such as experimenting with different materials, painting on nylon, painting on aluminum as well, and executing natural structures by means of plastic materials.

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